Merry Yule and A Happy New Year!

Hope you have a nice holiday and get lots of presents!

This card was made by me and my sister Catarina, I did the lineart and she colored it with Copic markers. She's such an awesome artist!!

We are both part of Nosebleed Studio and next year we're actually celebrating our 10 years together as a manga artist collective by making a manga new anthology together. More about that in a coming blog entry.

But a small tip for you all:
We are right now having a December sale in our online store! Our previous anthologies are
Among others, this beutiful Artbook is on sale and costs only 135 sek (about €13) + shipping.

✩ Thanks for reading! ✩

2012 - in retrospect

2012 was a little bit disappointing... Well, not now that I look back on all the fun things I managed to do this year, but when it comes to all the things I was hoping for but didn't achieve. To defend myself I want to point to the fact that the things that I hoped for that didn't come true was because of others, not me. Sometimes in your life there's things that can't be done because other people don't give you the chance to do them.

I don't blame them though, I blame myself. One day, when I have become more well respected within the industry, I might get all things I hope for. Today, I have to live with the benefit of the doubt from others.

Time for a look back on the milestones of the past year, as I usually do this time around!

Milestones of 2012:

 

• In January I worked hard on finishing all three major comics that I made that year. Good way to start off the year, haha!
  A Sword Princess Tale - chapter 1 (fanzine made for SIS/SPX in Stockholm in April)
  Hooked On You (published in Nosebleed Studio's Seaside Stories anthology)
  A Song for Elise - REMIX: Memories (published in the Boy's Love anthology GUYS!)
  

• February came with a small achivement: my entry for the Japanese manga magazine Ribbon's monthly manga competition resulted in an honorable mention, a prize called もうひと息賞 ("Mou hito ikishou" = one more try-prize). My manga was mentioned in issue #2 this year, you can read the full review here.
  
  
• All through Spring, Summer and Fall, I applied for several artistic funds but recieved null. This was quite dissapointing. I know I can't expect to get any, but it's still heartbreaking every time you get a letter from one of the organizations saying "...you application could not be approved."
  Well, they won't get rid of me that easily! I'll keep trying until I get some!
  
  
• I was aslo teaching at Malmö Univeristy in their English comic course Comics, International Perspectives, specializing in the Japanese manga market. Very nice and fun, I like teaching at the University because it's so professional and enjoyable!
  
  
  
  
• In March and April, the main focus was to finish all the projects before Small Press Expo at Stockholms International Comic Fair (the biggest comic event in Sweden) in the end of April. Nosebleed Studio's book Seaside Stories was to be released, as well as the latest edition of Swedish Comic Sin (book 3) that I'm the editor of.
  Chapter one of A Sword Princess Tale was also sold at the event as a fanzine, and I also began my search for a publisher in these months, both inside and outside of Sweden. Most publishers take some time to think over things, and even though I had a Swedish publisher and a Danish one that was quite interested I wanted more. Back then, my goal with this project was to have at least three or more publishers working with me on this, to make the best out of their collected feedback, and also to get enough pay to have an assistant working with me on this.
  
  
  
  
  
• In the beginning of 2012, my childrens manga Mjau! also got an International deal with Portuguese NCreatures and their manga magazine Banzai.
  
  

• May and June was mostly waiting for replies from the publishers. I had also sent in my second entry to Ribbon in March, and got the results in June: the same honorable mention in issue #6! Read the full review here.
  
  

• I used all the spare time to work with my friend and colleague Elise Rosberg on the coming site NonstopCon, a Swedish community for Asian-fans of all sorts! During Spring and Summer, we worked on the layout, putting up a crowdfunding page (and recieved the full amount in the end!) and planned all the features of the site. Our webb developer Rick worked his ass off all Fall and Winter, but still didn't get it done until December which was our plan. The site is a little late, but it's all becasue we're not okay with just any crappy community site, we want this one to WORK!
  For our Swedish fans, follow the work on our blog.
  
  

• A well deserved vacation was made in July, to my aunt and relatives in Portugal. More inspirational trips made, and lots of photos taken!
  
  

• In September my sister Catarina and I finally finished Nosebleed Studio's new Worppress site! It's so nice to finnaly have a professional and working webshop and also a manga reader with flip-book funtion! Check it out!!
  
  

• I felt I needed to make a trip to some of the bigger comic fairs in the world, both for my self an my career. As I am a big fan of American reality shows (yup, one of my sins), I decided it was time to go to the big land over seas. So, Emil and I went to New York Comic Con in October and I got to talk to Yen Press, a meeting that changed my perspective on things and also my focus for A Sword Princess Tale. I'm no longer pursuing a multinational deal to begin with, but focusing on making something for a Nordic market that might work elsewhere.
  Check the full report here.
  Afterwards, I also made a report from NYCC in comic form for Bild&Bubbla, that will be printed sometime in 2013.
  
  

• For the second time around, I got to teach at Malmö University's comic course in Swedish, Serieteckning och visuellt berättande. Yet again, so rewarding! Teaching is a great way to learn more about your own profession, it forces me to overlook my work process and put it on paper (I make handouts for all courses, I think I should put them here on my page actually).
  I was also teaching at Serieskolan in Malmö, which also feels cool and honoring (they trust me!). The week there focused on storytelling, very convenient because I had just finished a book (John Truby's The Anatomy of Story: 22 Steps to Becoming a Master Storyteller)  and some self-studies on storytelling!
  
  

• Some Swedish media attention during this year:
  ✎ An interview in City Malmö (nr 2012-08-23) about nerdy hobbies.
  ✎ An interview together with Catarina in Lokaltidningen Lund on the 28th of September.
  ✎ The above shown frontpage and article of Sydsvenskan Omkretsen on the 11th of November.
  
  

• All through the year, Nosebleed Studio visited a lot of manga/comic conventions:
  KodachiCon in Lund (May) - where we sold a lot of our books to our fans in Skåne (the Southen most region in Sweden). I also did my Yaoi presentation again, which was fun!
  UppCon in Uppsala (June) - I did a presentation on my attempts to get into the Japanese manga market, and we sold a bunch of our Swedish manga to many awesome fans, thank you!!
  NärCon in Linköping (July) - I did the Yaoi presentation here as well.
  NowJapan in Vilnius (August) - we where Internationally invited to this Lithuanian convention, cool huh? I did the Yaoi presentation there (very well attended!) and we also did the manga battle tournament, fun!
  AltCom in Malmö (November) - not a manga con, but still fun. We managed to get into the paper as well!
  Confusion in Göteborg (December) - I did the Yaoi-presentation again, and there was a line of people who didn't even get in... It was popular! We met a lot of awesome fans and gained new ones as well.
  
  

•   In the end of the year, comics started calling for me again. I had almost stopped drawing at all during April to October, and now I not only have to make a 32 page manga to Nosebleed Studio's next anthology (sneak peek to the right) but also I need to start making the layout sketches for A Sword Princess Tale! The first 4 chapters are planned to be finished before July and the Swedish and Danish publisher are both eager to have it and so am I! Okay, let's go!!

Hm... I think that's a pretty good summary of my year. I probably forgot some small things here and there, but all in all it's pretty much like this.

This year was disappointing in some ways. I didn't get a contract with A Sword princess Tale as early as I wanted it (I would have wanted to start working on it in the Fall) and the God of funds was not on my side this year. I do survive though, thanks to all the childrens books I have made last year.

But, I'm still pleased with the victories; 2 honorable mentions in Japanese manga magazine Ribbon, the publishing of Mjau! in Banzai, a new homepage for Nosebleed Studio and all in all 90 manga pages finished (and another 60 pages in rough sketch). Not my most productive year, but still pretty awesome!

✰ Okay, onwards to 2013! Let's make history!! ✰

Merry X-mas to you all!

Holiday are here, and I have been slacking off just a little these two days. Have been refurnishing our studio room a little as well. As we say in Sweden; variety is a delight. So now I will bring in the new year with a new and inspiring work space!
Pictures might come later...

Here's something else for you!

This is two Swedish traditional figures:

Swedish "julbock" (= Christmas goat)

This is a traditional Swedish Christmas decoration, a goat made of straw. It's origin is debated. In old times, young people used to go around the farms singing Christmas carrols and "goat songs" and one was dressed as a goat with a mask made of straw. Back in those times, people often sacrificed of a goat around Christmas, and a man dressed as a goat with a mask used to act as Santa Claus today, bringing gifts for the children.

Usually the straw goats are about 50 cm tall at the most, but the biggest one is in Gävle at 13 meters height. Sadly, it usually don't survive Christmas, as the towns people have put into tradition to burn it (illegally) before December is over.

Lucia
The girl is dressed as Lucia, an Italian saint that are celebrated in Sweden on the 13th of December. Don't ask me why, it's practically unrelated. The Swedish Lucia-tradition is a celebration of light, as this is the darkest time of the year in Sweden. Usually all schools and town halls have their own "Lucia train" where young people dressed in white follow the Lucia, everybody holding lit candles in their hands. Lucia on the other hand has a crown of lit candles, often dripping stearine in her hair. Ouch.

I made the lineart and my dear sister Catarina colored it with Copic markers. She's just awesome at Copic!! (Look at those shades!!!)


Hope you all will have a nice holiday time and see you again around New Years Eve, when I  as usual make my New Years resolution and go over the milestones of my works during 2012.

Oh, and don't forget about Nosebleed Studio's December Sale!

Our anthologies Seaside Stories and 5 Years Jubilee Anthology are both 10% off, and also the Deluxe Set is on sale!

~*~*~*~ Happy Holiday Everyone! ~*~*~*~